Tuesday, 26 May 2020
Batman: Kings of Fear Review (Scott Peterson, Kelley Jones)
Scarecrow tries to mentally break Batman, once again, in Kings of Yawn…
As someone who’s read a batload of Batpants books, there’s wayyyy to much familiar material rehashed here. Scarecrow telling Batman that: he’d do more good as a billionaire philanthropist than a masked vigilante; that constantly putting away his rogues gallery in Arkham only for them to break out again is a pointless cycle; and that Batman is the cause of the many performance artist supervillains anyway.
It’s nothing I haven’t heard before in other, better Batman books and Scott Peterson’s regurgitating these stale points without a new spin isn’t revelatory or interesting whether you’re a new Batman reader or a seasoned one. Nowt much happens and what little that does is bo-ring!
Some of Kelley Jones’ horror-esque art is strikingly dramatic at times though it’s by turns equally silly-looking. His Scarecrow is beefier than usual - not a bad choice as it was different for a change – but that’s not really the point of the character; he’s more cerebral than physical. Some of the covers are cool and Scarecrow as a building was a trippy visual. It’s not a whole helluva lot of positive to give the book though – you’ve gotta be a big Kelley Jones fan to make Kings of Fear worth checking out!
Trite, uninspired and unengaging throughout, Kings of Fear is an easily missable addition to the Batman library.
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On the surface it looks dimple bit frankly if you look deeper you would have a better understanding of what Scott was trying to do. It feels like a good entry point for nw fans so maybe instead of acting cynical you could at least recommend it to new fabs by I I guess complaining about every fucking comic you read is easier for you.
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